Loving, in the present continuous, is essential for a relationship to thrive despite all differences.
We watched Mani Ratnam’s new movie Katru Veliyidai last evening. Viewers have panned the film for many reasons. Principal among them is the view, held by many, that Dr.Leela (Aditi Rao Hydari) continues to accommodate, accept and love VC (Karthi) despite being “humiliated and trampled upon” by him. The question people are asking is: Why should a film portray a woman in such light; why can’t Dr.Leela have been a much stronger woman who slaps VC back, who tramples him back, who rightfully asserts herself and claims an equal place in their relationship?
I have three points to make about the movie. 1. I liked it a lot – for most parts. 2. Perhaps because the story-telling was not so linear, and perhaps people these days often rush to pronounce judgment on social media on people and events, viewers missed what Mani Ratnam so aesthetically communicated through the film. 3. And that is the fact that Dr.Leela is indeed a strong woman – who asserts herself from the first instance in the blizzard. But her assertion is never vitriolic. Her loving of VC (not just her love for him) is as powerful as her seeking her space, her dignity. Despite the way he treats her, she is still relating to him, so she continues loving him. Yet, when he refuses to have their baby, she decides to walk away from him – not quite walking out on him – while continuing to be loving. There is a present continuous state to her loving, just as there is a present continuous state to her asking to be treated with respect. And that’s why I say Mani Ratnam’s tried to convey his point very aesthetically – he’s not spelt it out, he’s not laid it all there in a linear sequence; you pick what you want, the way you want to.
There’s not just an aesthetic quality to the film visually, its very essence is so. This is what I gleaned from the movie – that when two people are loving, they may have their differences, they may have their own independent personas, but they will still be able to relate to each other in a special way! Now, this is not a filmy situation alone – this is so true about Life, and about so many of our stories out there. The problem with society is that we expect people to conform to stereotypes. But surely, there are as many different characterizations in personalities out there as there are people. And each one evolves and changes with time, through their experiences. This is what happens to VC through his reflection, through his incarceration in a Pakistani jail. I truly believe that loving is more important and more relevant than the singular act of falling in love. When there is loving, then there is a flow, there’s a freedom to be who you are. Then it is present continuous. Then there is a relating. And only when two people are relating to each other, despite their differences, can their relationship thrive. That’s really what happens in Mani Ratnam’s Katru Velyidai, to his Dr.Leela and VC.
To me the takeaway is deeply spiritual. It offers an aesthetic value that’s not commonly understood or appreciated. As social animals, and as social media content creators and consumers, we expect everything in a “black and white”, in a “my way or the highway” format. But Life doesn’t to conform to any formats, formulae or structures. Life’s creations – all of us included – are all at the same time unique, and flawed, just as VC and Dr.Leela are, who live and love on their own terms. The key is to celebrate everyone for who they are, while celebrating yourself, and to keep on loving, as undefineably, as expansively as the breeze (Katru Veliyidai), without expectations, without conditions, without limitations…And some day, the one who continues to relate to your loving, will find their way to you, no matter what – or who – comes in the way!